Macbeth, EKIP Tiyatrosu

Macbeth         
Presented in Turkish  
Üsküdar Tekel Sahnesi (Theatre), Istanbul, Turkey   
May 25-27, 2016, as part of the IKSV Theatre Festival

Trailer from EKIP's Vimeo site.

EKIP Tiyatrosu
Writer: William Shakespeare
Translator: Sabahattin Eyüboğlu
Director: Bülent Emin Yarar

Creative Team (roles in Turkish):
Sahne Ve Kostüm Tasarimi: Başak Özdoğan
Işik Tasarimi: Cem Yılmazer
Kukla: Candan Seda Balaban
Orijinal Müzik: Orhan Enes Kuzu
Sahne Müzisyeni: Hüseyin Korkma
Hareket Düzeni: Dicle Doğan
Sahne Dövüşü: Tamer Serkan Subaşı
Asistan: Sevilay Ergüler
Işik Kumanda: Murat Bakır
Ses Kumanda: Cafer Hekim
Afiş: Savaş Çekiç
Sahne Fotoğraflari: Ali Güler
Stüdyo Fotoğraflari: Burak Bulut Yıldırım

Cast: Simel Aksünger, Serkan Altıntaş, Aziz Caner İnan, Murat Kapu, İsmail Sağır, Ayşegül Uraz, Cem Uslu

For More Information:
http://www.ekiptiyatrosu.com/oyunlar/sahnede/macbeth

http://tiyatro.iksv.org/tr/festivaller/225/program/485

 

 

Romeo and Juliet, Tower Theatre Company  

Each year, London-based company Tower Theatre (one of the companies selected to be part of the RSC's 2016 A Midsummer Night's Dream "play for the nation" project) takes a production to the Pré Catalan garden in the Bois de Boulogne, Paris. In 2016 - the 25th year of Tower Theatre in Paris - they presented Romeo and Juliet in the garden's Théâtre de Verdure du Jardin Shakespeare. The open-air theatre space is planted with flowers, trees and plants that are mentioned in Shakespeare's plays.

Read More

A Winter's Tale, The Willow Globe Company

Shakespeare's late romance, The Winter's Tale (a tale of jealous furies, an abandoned baby, a sheep shearing feast and a bear) was performed in The Willow Globe (Y Glôb Byw), a scaled down, living version of the Globe in London (a third of its size in diameter) in Llandrindod Wells, Powys, Wales. Its Artistic Directors Phil Bowen and Sue Best believe it is one of the largest willow constructions in the country and probably the only one in use as a theatre in the world.

Read More

Hamlet | Collage, State Theatre of Nations

Canadian director Robert Lepage and Russian actor Yevgeny Mironov first brought their experimental one-man production of Hamlet to the Russian stage at the end of 2013. The production is set in and around a central rotating cube and makes extensive use of video technology. It is to be revived in May this year at Moscow's Theatre of Nations.

Read More

Ophelias Zimmer, Schaubühne Berlin

Ophelias Zimmer was a feminist alternative narrative that approached Hamlet from the point of view of the Dane's doomed lover, Ophelia. The action (or lack thereof) all took place in Ophelia's claustrophobic room where repetition enforced the play's reading of the character as a victim ensnared, silenced and aestheticised by Elsinore's patriarchy.

Read More

Hamlet, Daugavpils Theatre

The present staging of Hamlet is carried out in Daugavpils theatre which consists of two companies working simultaneously in Latvian and Russian. The performance is heavily based on Hamlet's inner struggle with his attempts and motivations, doubts, and confusion about the contemporary world. This focus challenges the subjectivity of all other characters in relation to Hamlet, as they almost have no independent existence. The staging is created by an international team, Polish, Russian and Latvian.      

Read More

The Taming of the Shrew, The Globe

Losing none of its power to provoke and sometimes outrage, Shakespeare’s controversial double-act gets a thoroughly fresh, fast and distinctly Irish makeover. Caroline Byrne’s production transports The Taming of the Shrew to the Easter Rising of 1916 in Ireland – the design and costumes of this production will reflect this setting.

Read More

Tomorrow, Rambert Dance Company

Following her work with director Carrie Cracknell on the Young Vic production of Macbeth (November 2015 - January 2016), Australian choreographer Lucy Guerin returned to the play in her dance piece Tomorrow. The performance featured an original score by composer, sound and multimedia artist Scanner (Robin Rimbaud) and aimed to "[give] physical life to the psychological conflict that led Macbeth to murder." Tomorrow "[re-imagined] Shakespeare's Macbeth - mapping out the actions of the characters alongside the illusory, supernatural and psychological disturbances of the play embodied by the cast of 'witches'."  

Read More

Song of the Beast (짐승가), Brecht Samuel Baguette   

This is a performance where Hamlet is transported to a slaughterhouse in modern day South Korea. While it appears to be an ordinary slaughterhouse from the outside, it is in fact a perfectly controlled place, where powerful men butcher and execute their opponents. One day, the boss named Lee Sang-cheol is killed, and his son Lee Hae-in is trying to revenge his father's death. Painting a picture of extreme violence and wicked plans carried out by beast-like men, and one boy seeking an escape.
 

Read More

The Complete Deaths, Spymonkey

All 74 on-stage deaths from Shakespeare's oeuvre realized in physical comedy by four actors.  With a LED-display counter monitoring the 75 deaths (they include the fly in Titus Andronicus) and propelling the action to the zero, The Complete Deaths is a fast-paced and entertaining tribute to the tragic ends of so many of Shakespeare's characters.  

Read More

Othello, Abbey Theatre

Othello, Abbey Theatre

A remarkable performance featuring American actor Peter Macon as Othello and celebrated Irish Shakespearean Marty Rea, who won the Irish Times Best Actor award in 2015 for his searing portrayal of Richard II (and a panoply of other characters) in Druid Theatre Company's marathon adaptation of the Henriad, “DruidShakespeare.”

Read More

Romeu e Julieta, Companhia Nacional de Bailado

Romeu e Julieta, Companhia Nacional de Bailado

Romeo and Juliet. Names that seal the most timeless of love stories and that will bring together the D. Maria II and the Companhia Nacional de Bailado. At the helm, Rui Horta promises a modern-day take on this classic. This Romeo and Juliet is a sensual journey based loosely on Shakespeare, but faithful to the great questions that the Bard tackles: the irrationality of the human being in the face of love and death.

Quem pode caminhar para a frente quando o coração não o acompanha?

Romeu e Julieta, nomes intemporais. Nomes que marcaram tanto o teatro como a dança. Nomes que selam a mais intemporal das histórias de amor e que vão agora unir o D. Maria II à Companhia Nacional de Bailado. Ao leme, está Rui Horta que promete um olhar do nosso tempo sobre o clássico. Este Romeu e Julieta é uma viagem sensorial livremente inspirada em Shakespeare, mas fiel às grandes questões que esta aborda: a irracionalidade do ser humano perante o amor e a morte. Um exercício multidisciplinar entre a dança, o teatro, a música ao vivo, a arquitetura de cena e um tema, esse sim, imortal.

Read More

…Is Merely a Madness, Ricardo Abad

…Is Merely a Madness “is a short one-act play that assembles a pastiche of lines from about a dozen Shakespearean plays. The lines are exchanged by two inmates, a female and a male, who seek meaningful moments of togetherness in a mental asylum.” –blurb from the Asian Shakespeare Association newsletter (regarding Shakespeare in the Philippines). 

Read More

Bards Without Borders: Shakespeare's Dead, Get Over It!

Bards Without Borders: Shakespeare's Dead, Get Over It!

Bards without Borders is a London collective of poets from refugee and migrant backgrounds creating new work in response to Shakespeare. Our poets hail from all corners of the Globe including Afghanistan, Bangladesh, India, Jordan, Somalia, Tanzania, Nigeria, former Yugoslavia, Jamaica and Colombia. Our current tour, titled "Shakespeare's Dead, get over it!" critically explores Shakespeare's legacy from a Global, multilingual, cross-cultural and post-colonial perspective. Highlighting how Shakespeare really shines a light on our very own experiences of love, loss, life, migration and displacement.

Read More