The Comedy of Errors, Camden Shakespeare Festival

The Comedy of Errors, Shakespeare’s first comedy, delivers non-stop humorous high jinks. The show has it all: madcap comedy, mistaken identity, seduction, slapstick, verbal sparring, vaudeville, two sets of twins, and a family reunion beyond belief. The Comedy of Errors packs a comedic wallop! This production will be presented indoors at High Mountain Hall.”

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Timon of Athens, Oregon Shakespeare Festival 

Money can’t buy everything. Timon is a wealthy man with lots of friends, but when the money runs out, so do they. Realizing he should have listened to the people who tried to warn him—a servant, a soldier and a sworn enemy—Timon turns his back on the world. But the world finds him again when he stumbles upon another fortune. Is this Timon’s chance to find out who his true friends are and rejoin society? Amanda Dehnert (Julius Caesar, My Fair Lady) directs Shakespeare’s rarely staged tragedy, whose inclusion in the 2016 repertory will mark the fourth time OSF has completed the canon.

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The Merchant of Venice, Shakespeare in the Parking Lot

“One of Shakespeare's most problematic works makes its Shakespeare in the Parking Lot debut when Ezra Barnes directs The Merchant of Venice. Renaissance motifs of masculine friendship and romantic love are portrayed in contrast to the bitter inhumanity of the moneylender Shylock, whose misfortunes--as a victim of blatant anti-Semitism--are presented so as to arouse understanding and sympathy.” –description from the Shakespeare in the Parking Lot website

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Julius Caesar & As You Like It, Hip to Hip Theatre Company

Julius Caesar:
“In this sensational political thriller, Shakespeare explores the tension between private loyalties and the public good, and unflinchingly questions the price of freedom. Caesar is determined to crown himself as Rome's first emperor, but a few senators, led by the idealistic, intellectual Brutus and his manipulative, rebellious friend Cassius, are prepared to sacrifice everything to liberate their country. Instead of being greeted as liberators, they are met with civil war.” –description from company website Press archives (Broadway World)

As You Like It:
“Shakespeare's sparkling comedy about love, family and identity is full of wit, music and gender-bending fun. The rightful duke and his supporters have been banished, while his impulsive daughter Rosalind remains at the mercy of the oppressive new regime. Comic twists and turns abound when Rosalind, disguised as a boy, flees the court to seek her father in the mysterious Forest of Arden. Her journey of self-discovery brings her face to face with Orlando, the man she loves.” –description from company website Press archives (Broadway World)

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The Tempest, Camden Shakespeare Festival

"Starring John Burstein, The Tempest is set on a remote island inhabited by the exiled sorcerer Prospero, his beautiful daughter, Miranda, and a host of otherworldly creatures and spirits, including the monstrous Caliban and ethereal Ariel.

Prospero conjures a tempest to shipwreck his usurping brother Antonio along with his entourage, the complicit King of Naples and his son Ferdinand. Through his magical arts, Prospero exposes his brother's treachery, redeems the King and restores Miranda to her proper station through marriage to Ferdinand. Believed to be Shakespeare's last play, The Tempest offers the Bard's reflections upon the power of theater itself.

By turns deeply moving, visually stunning, humorous and romantic, The Tempest is a lush illusion, rich with poetry and dazzling theatrical magic. This production will feature an abundance of song, as well as genuine illusions designed by a professional magician. The Tempest will be presented outdoors in the Camden Library Amphitheater."

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Henry VI Part III, The Barded Ladies

The Barded Ladies revived one of Shakespeare's least-performed plays with a twist for the Bristol Shakespeare Festival - reimagining Queen Margaret as King Margaret and her adversaries Richard of York and Richard of Gloucester as bloodthirsty women. The production drew on contemporary political battles between men and women to explore the roles gender plays in politics and war.

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Love's Labour's Lost, Commonwealth Shakespeare Company

"In Love’s Labour’s Lost, friendship and loyalty amongst four young men and four young women are put to the test when romantic youthful notions of love encounter the challenges of adulthood. A high-spirited romantic comedy filled with dazzling wordplay, strong comic characters and a few unexpected twists, Love's Labour's Lost both charms and touches the heartstrings of young and old alike.

Love’s Labour’s Lost for me is about growing up, about leaving behind adolescent attitudes towards love and gaining an understanding of the power and responsibility of loving another person,” says Maler. “Though it’s an early play, it has terrific language and indelible characters. Many of the themes, characters and situations in the play are explored in Shakespeare’s later plays, so you get to see the young Shakespeare at work in Love’s Labour’s Lost. The play for me became an anchor for the 2016 season, "Love On The Rocks", as we explore refractions and reflections on the enigmatic, magical and effervescent mystery of love.”

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Macbeth, Hampshire Shakespeare

“Founded in 1989, Hampshire Shakespeare Company is a community of artists dedicated to presenting the works of Shakespeare and promoting theatre in general. Every summer our Shakespeare Under the Stars series offers performances by both our Mainstage company of adults and our Young Company of school-age actors, all at the UMass Center for Renaissance Studies in Amherst.”

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Romeo e Giulietta, KHORA teatro & Teatro stabile d'Abruzzo

Romeo e Giulietta, KHORA teatro & Teatro stabile d'Abruzzo

Romeo and Juliet, the Romantic tragedy par excellence, becomes a middle-class tragedy about generational clashes in Andrea Baracco’s vision. The tearing conflicts which run through the whole story show us an adult world shut in its own unmoving universe—its houses are like shop windows. The adults are just interested in keeping their own privileges and remain impassive to the uneasiness and the violent passions which overcome their sons and daughters. Baracco's reading of this classic tries to tell us about our contemporary world, hanging in the balance between fidelity to the original and his own interpretation of it characterized by a stylized theatrical language. 

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Troilus and Cressida, Public Theater, Shakespeare in the Park

“Tony winning director Daniel Sullivan (Proof, Cymbeline) returns to Shakespeare in the Park with one of the Bard’s most rarely produced plays, Troilus and Cressida. Both warriors and lovers play hard to get in this surprisingly modern epic about the hot blood, hot thoughts and hot deeds of the ancient Greeks.

In the 7th year of the Trojan War, Troilus, a young prince, pines for the affections of Cressida, a bright young woman who knows how to play it cool. Meanwhile, the heroes of the Iliad – Hector, Paris, and the kings they serve - debate whether to return the dangerously beautiful captive Helen or continue to fight without end. Nations and lovers alike do battle in this funny, piercing drama about romance and revenge in a world at war.” –description from the Public Theater website

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The Winter's Tale, New York Classical Theatre

The Winter’s Tale
Presented in English
Various city parks in New York City, New York, USA
July 18 – August 14, 2016 (open rehearsals beginning June 19)

New York Classical Theatre

For More Information:
http://www.newyorkclassical.org/pastproductions/

Selected Reviews and Media Coverage:
http://www.lightingandsoundamerica.com/news/story.asp?ID=-QUHO1Z

Ricardo III, Teatro Nacional D. Maria II

Ricardo III, Teatro Nacional D. Maria II

Richard loves Richard

In 2015, two years after discovering the bones of Richard III under the tarmac of a car park in the city of Leiceste, we unearthed in the D. Maria II the eponymous piece of William Shakespeare, which relates the most Machiavellian ascent to the throne. In November we offer you the opportunity to (re)discover this work, distinguished with a 'Globo de Ouro' award for best theatre show of 2015 and the SPA award for best actor for Miguel Moreira.

With the artistic direction of Tónan Quito, the show oscillates between contempt and fascination for this cunning being. And so he proceeds from death to death, from lying to lying. Are we all Richard?

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