As You Like It, GB Theatre
/GB Theatre offered classic, open-air family fun at the Bristol Shakespeare Festival with their take on As You Like It, which played in repertory with Romeo and Juliet.
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GB Theatre offered classic, open-air family fun at the Bristol Shakespeare Festival with their take on As You Like It, which played in repertory with Romeo and Juliet.
Read More“Wheelhouse set out to break with cliché in tackling Shakespeare’s most iconic love story, mining the polarities of comedy and tragedy, love and hate, through playful ensemble-driven work which lies at the heart of the Wheelhouse approach to theater. Recognizing that the latter half of the play mirrors the first, we set up a great height of comedic joy from which to fall into the depths of tragedy. A tragedy which proves to be the only possible antidote to breaking the cycle of conflict embedded in a divided status quo that feels eerily familiar to our current cultural climate.” –blurb from the Wheelhouse website.
Read MoreThe playtext used for the show is based on the 1597 First Quarto (Q1) of Romeo and Juliet, translated and staged integrally for the first time in Italy. Teatrino del Giullare stages Romeo and Juliet as a comic tragedy made of contrasts and illusions, a tale built on reflections, anxieties and desires created with the help of masks which the the two performers characteristically employ in every creation they stage.
Read MoreFormerly the River City Shakespeare Festival and founded in 1989, two productions annually of Shakespeare's plays performed at 1000-seat outdoor amphitheatre.
Read More"Hamlet's got the hump, Uncle Claudius is conniving, mother Gertrude's hit the bottle, and girlfriend Ophelia's away with the fairies. No wonder Rosencrantz and Guildenstern are confused. Mysteries, murders and magical music; Bathasar's bemused, Romeo's a wuss and the Friar's on the fiddle, but Juliet Capulet calls the shots in an ice cream war with the Montagues. Rip-roaring romance with a twist.” --description from Fringe Festival programme.
Read MoreTaking Flight Theatre's take on Romeo and Juliet set the tragic love story in 1963 with the Montagues and Capulets fighting it out on the river for the annual college boat race. The promenade performance featured many of the company's trademarks including lots of audience interaction, BSL by Sami Thorpe and live audio description. Taking Flight Theatre is a professional inclusive theatre company based in Cardiff, Wales who work to challenge perceptions of disability through accessible theatre performances.
Read MoreRomeo and Juliet
Presented in English
Castle Clinton, New York City, New York, USA
June 7 – 26, 2016
Shakespeare Downtown
For More Information:
www.shakespearedowntown.org
The Royal Swedish Ballet, one of Europe’s first and most revered ballet companies. This production provides a contemporary twist and retelling of Shakespeare's most treasured and tragic love story (Romeo and Juliet).
Read MoreThe "world's first cycling theatre company," The HandleBards returned to Edinburgh in 2016 with two troupes, The Boys and The Girls. Each troupe was composed of four actors who carried set, props and costumes around the UK (and beyond) on bicycles to perform all-male Much Ado About Nothing and Richard III and all-female Romeo and Juliet and The Taming of the Shrew in unique venues from gardens to castles.
Read MoreEach year, London-based company Tower Theatre (one of the companies selected to be part of the RSC's 2016 A Midsummer Night's Dream "play for the nation" project) takes a production to the Pré Catalan garden in the Bois de Boulogne, Paris. In 2016 - the 25th year of Tower Theatre in Paris - they presented Romeo and Juliet in the garden's Théâtre de Verdure du Jardin Shakespeare. The open-air theatre space is planted with flowers, trees and plants that are mentioned in Shakespeare's plays.
Read More“Ann-Marie MacDonald`s witty play is a sparkling comedic tale of self-discovery. Graduate Assistant Constance Leadbelly, who is obsessed with decoding Shakespearian manuscripts, is suddenly propelled into the world of Othello and Romeo and Juliet. She unintentionally alters them into comedies by saving the lives of the two leading ladies. Seductions, sword fights, and disguises ensue in this award winning Canadian play.”
Read MoreAll 74 on-stage deaths from Shakespeare's oeuvre realized in physical comedy by four actors. With a LED-display counter monitoring the 75 deaths (they include the fly in Titus Andronicus) and propelling the action to the zero, The Complete Deaths is a fast-paced and entertaining tribute to the tragic ends of so many of Shakespeare's characters.
Read MoreRomeo and Juliet. Names that seal the most timeless of love stories and that will bring together the D. Maria II and the Companhia Nacional de Bailado. At the helm, Rui Horta promises a modern-day take on this classic. This Romeo and Juliet is a sensual journey based loosely on Shakespeare, but faithful to the great questions that the Bard tackles: the irrationality of the human being in the face of love and death.
Quem pode caminhar para a frente quando o coração não o acompanha?
Romeu e Julieta, nomes intemporais. Nomes que marcaram tanto o teatro como a dança. Nomes que selam a mais intemporal das histórias de amor e que vão agora unir o D. Maria II à Companhia Nacional de Bailado. Ao leme, está Rui Horta que promete um olhar do nosso tempo sobre o clássico. Este Romeu e Julieta é uma viagem sensorial livremente inspirada em Shakespeare, mas fiel às grandes questões que esta aborda: a irracionalidade do ser humano perante o amor e a morte. Um exercício multidisciplinar entre a dança, o teatro, a música ao vivo, a arquitetura de cena e um tema, esse sim, imortal.
Read MoreMorecambe’s first Shakespearean festival is set to run over the weekend of Shakespeare’s birthday. Alongside theatrical performances there will also be music, dance events, art and poetry readings. The theatrical productions include: Twelve Nights; Romeo and Juliet; Shakespearean Murder Mystery; Puck’s Dream; A Shakespeare Gallery; Henry V; The Tempest; and The Play’s the Thing.
Read MoreA fresh and vibrant community production of Romeo and Juliet, involving local amateurs, young performers, and a few British actors. This promenade performance starts in the foyer of the theatre and then moves through various spaces in the city: inhabiting public parks, the main city square, narrow streets or large avenues as it was the case with Juliet’s funeral procession which impeded the regular streaming of traffic amid cry and tears of the performers grieving Juliet’s death. A rare example of theatre irrupting city life.
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The company of young interpreters is made up of students from the Theatre Department of the "Lucian Blaga" University of Sibiu. The play was first staged in 2011 and when it was presented at the International Theatre Festival " Riverside Left" in 2015 in Moscow, it was awarded the Special Jury Award for best modern interpretation.
Public Theater’s Mobile Shakespeare Unit Production (April 11 – May 1 at Public; March 18 – April 9 at venues around city)
Read MoreThis production forms the practice of Amy Bonsall's Practice as Research PhD at Leeds University. The performance was given in Chichewa and set in contemporary Lilongwe. The company worked together to explore and incorporate various aspects of Malawian life and culture in order to make the production accessible and relevant to Malawian audiences.
Read MorePerformed for the U.S National Tour 2015-2016.
Read More“Best intentions… are what Angelica and Emilia, two modern adaptations of the often overlooked women from Shakespeare's Othello and Romeo and Juliet, definitely had before they ended up trapped in a room with a kitten puzzle. They must now take this opportunity to look more closely at their lives, the choices they made and how they came to be in this place. Through reasoning, deduction and slowly revealing their dark secrets, they discover that escape will warrant some honesty, as their 'best intentions' are not an excuse in the eyes of the law.” --description from Fringe programme.
Read MoreThis research was supported by the Social Sciences and Humanities Research Council of Canada