All's Well That Ends Well, MaineStage Shakespeare

“The heart wants what the heart wants. And Helena’s heart wants Bertram, the handsome young nobleman in whose house she grew up. The only catch: he wants nothing to do with her. That’s the set-up for Shakespeare’s toothiest comedy, a sassy send-up of love, desire, and the mistakes of youth. Packed with colorful characters and some of the Bard’s best gags, All’s Well That Ends Well asks us: how far will you go to be with the one you love?”   

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Shakespeare Festival im Globe Neuss

Since 1991 a recreation of Shakespeare’s Globe Theatre has stood on the racecourse in Neuss, Germany. Each year it hosts a summer festival and the 2016 edition showcased productions from companies across Europe including several premieres, a puppet Tempest, and a one-woman Henry VIII. The festival also included a classical Shakespeare concert, a lecture by Patrick Spottiswoode of the London Globe, and a series of events exploring the idea of ‘Shakespeare and beyond’ which included a stage version of Woody Allen’s 1982 film A Midsummer Night’s Sex Comedy and an adaptation of Friedrich Schiller’s Maria Stuart. The majority of productions were presented in German; German surtitles were available for those presented in English or French.

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​Shakespeare at the Tobacco Factory: All’s Well That Ends Well

​Shakespeare at the Tobacco Factory: All’s Well That Ends Well

The Tobacco Factory Theatres opened in 1998 and initiated their two-play Shakespeare at the Tobacco programme in Spring 2000 with King Lear and A Midsummer Night's Dream. The organisation encourages experimentalism and aims to offer excellent art. This year the Factory Theatre season offers a Shakespearean double-bill: Hamlet and All’s Well That Ends Well.

Shakespeare at the Tobacco Factory (stf) has produced 23 more Shakespeares (several of them twice), three Chekhovs, Stoppard’s Arcadia, Middleton & Rowley’s The Changeling and Sheridan’s The School for Scandal. It has enjoyed four national tours, co-produced with the Bristol Old Vic and the University of Bristol and played a season in the Barbican’s Pit. For the last two seasons it has co-produced its Bristol seasons with Tobacco Factory Theatres, a partnership that also produced Brian Friel’s neglected play, Living Quarters, at the Factory last autumn.

The company has been widely and repeatedly admired for the clarity of its story-telling, the raw intimacy of its in-the-round style at the Tobacco Factory, and the transparent unselfishness of its ensemble.

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Complete Works: Table Top Shakespeare

“A salt and pepper pot for the king and queen. A vase for the prince. A matchbox for the servant. A toilet roll tube for the Innkeeper. A water bottle for the messenger.

In Complete Works six performers create condensed versions of each and every Shakespeare play, comically and intimately retelling them, using a collection of everyday objects as stand-ins for the characters on the one-metre stage of an ordinary table top."

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